From Colonial Kitchens to Cosmopolitan Tables: Food as Cultural Identity in Indian English Fiction
DOI:
https://doi.org/10.55544/ijrah.5.4.27Keywords:
gastro-criticism, postcolonial hybridity, culinary identity, diasporic nostalgia, cultural resistanceAbstract
This paper examines food as a dynamic signifier of cultural identity in Indian English fiction, tracing its evolution from colonial kitchens, sites of gendered mimicry and resistance, to postcolonial tables embodying hybrid cosmopolitanism. Through gastrocritical analysis of canonical novels including Salman Rushdie's Midnight's Children, Arundhati Roy's The God of Small Things, Anita Desai's Clear Light of Day, Jhumpa Lahiri's The Namesake, Kiran Desai's The Inheritance of Loss, and others, it elucidates cuisine's role in negotiating imperial legacies, caste-class fractures, diasporic nostalgia, and neoliberal fluxes. Drawing on postcolonial theorists like Bhabha, Spivak, and Appadurai, the study posits food as a “third space” of syncretic agency, resisting epistemic violence while affirming fluid ontologies. Ultimately, these culinary narratives reveal identity's tenacity amid globalization, urging expanded gastro-poetics toward subaltern voices.
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References
Adiga, Aravind. The White Tiger. Atlantic, 2008.
Appadurai, Arjun. "How to Make a National Cuisine." Comparative Studies in Society and History, vol. 30, no. 1, 1988, pp. 3-24.
Bhabha, Homi K. The Location of Culture. Routledge, 1994.
Desai, Anita. Clear Light of Day. Houghton Mifflin, 1980.
Desai, Kiran. The Inheritance of Loss. Atlantic, 2006.
Ghosh, Amitav. The Hungry Tide. Houghton Mifflin, 2005.
Kapur, Manju. The Immigrant. Faber, 2009.
Lahiri, Jhumpa. Interpreter of Maladies. Houghton Mifflin, 1999.
Lahiri, Jhumpa. The Namesake. Knopf, 2003.
Ray, Utsa. Culinary Culture in Colonial India. Cambridge UP, 2014.
Roy, Arundhati. The God of Small Things. Random House, 1997.
Rushdie, Salman. Midnight's Children. Knopf, 1981
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