Encountering the World: A Study of the Interface between Society and Protagonists in the Films of Adoor Gopalakrishnan

Authors

  • Dr. Rajesh Cherian Associate Professor, Department of English, Government College, Madappally, Kerala, INDIA.
  • Dr. Gireesh J. Associate Professor, Department of English, Government Arts and Science College, Thazhava, Karunagappally, Kerala, INDIA.

DOI:

https://doi.org/10.55544/ijrah.5.6.12

Keywords:

outsider-protagonist, social alienation, Adoor, malayalam cinema, swayamvaram, kodiyettam, elippathayam, feudalism, naxalism, kerala

Abstract

This article is an attempt to explore the subject of the outsider-protagonist in Adoor Gopalakrishnan’s early films, Swayamvaram (One’s Own Choice), Kodiyettam (The Ascent) and Elippathayam (The Rat-Trap). It also tries to examine the relationship between individual and society in his films fashioned by the circumstances and contexts in which his characters find themselves in. The films bear testimony to the fact that the engagement of the individual with society has been a perennial concern of the auteur. The juxtaposition of the modern and the feudal, the progressive and the reactionary, the paper asserts, has been an abiding feature of Adoor’s films.  

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References

Bhaskaran, Gautaman, Adoor Gopalakrishnan: A Life in Cinema, New Delhi: Penguin Viking, 2010

Ganguly S. Constructing the Imaginary: Creativity and Otherness in the Films of Adoor Gopalakrishnan. The Journal of Commonwealth Literature. 2008; 43(1): 43-55. doi:10.1177/0021989407087824

Venkiteswaran C.S. Mapping Themes in Adoor’s Films, Frontline 29 April, 2016 Print. Filmography

Swayamvaram. Dir: Adoor Gopalakrishnan. Chithralekha Film Society, 1972. Film

Kodiyettam. Dir. Adoor Gopalakrishnan. Chithralekha Film Society, 1977. Film

Elipathayam. Dir. Adoor Gopalakrishnan. General Pictures, 1981. Film

Kathapurushan. Dir. Adoor Gopalakrishnan. Adoor Gopalakrishnan Productions, 1996. Film

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Published

2025-11-17

How to Cite

Cherian, R., & J, G. (2025). Encountering the World: A Study of the Interface between Society and Protagonists in the Films of Adoor Gopalakrishnan. Integrated Journal for Research in Arts and Humanities, 5(6), 68–72. https://doi.org/10.55544/ijrah.5.6.12