The Role of Artificial Intelligence in Film Production

Authors

  • Khudai Nazar Musafer Assistant Professor, Department of Cinema, Fine Arts Faculty, Kabul University, AFGHANISTAN https://orcid.org/0009-0002-0193-0499
  • Faridullah Farahmand Professor, Department of Anthropology and Archaeology, Social Sciences Faculty, Kabul University, AFGHANISTAN

DOI:

https://doi.org/10.55544/ijrah.6.4.49

Keywords:

Artificial Intelligence, Cinema, Generative Artificial Intelligence, Film Production Phases, Advantages, Challenges

Abstract

In recent years, artificial intelligence has emerged as one of the driving forces reshaping the film industry, leaving scarcely any stage of the filmmaking process untouched. This paper sets out to examine the role and function of artificial intelligence across the three principal phases of cinematic production—pre-production, production, and post-production. To this end, a library-based, descriptive-analytical method was adopted, whereby relevant information was gathered through peer-reviewed scholarly articles, books, and specialized industry reports, then categorized and analyzed. The findings indicate that in the pre-production phase, screenwriting tools, storyboard generation, and intelligent pre-visualization play an increasingly prominent role; in the production phase, image stabilization systems, smart drones, and digital facial reconstruction are gaining ground; and in the post-production phase, automated editing, deepfake technology, and AI-driven color correction are becoming indispensable to filmmakers' workflows. The study further reveals that alongside such advantages as reduced production time and cost and greater access for independent filmmakers to professional-grade tools, the application of artificial intelligence in cinema is accompanied by serious concerns—among them a crisis of trust in the image stemming from deepfake technology, unresolved legal and intellectual-property questions, and a potential erosion of artistic authenticity. The findings of this study may offer film scholars, filmmakers, and cultural policymakers a more precise understanding of this technology and a foundation for its more conscientious application.

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Published

2026-07-31

How to Cite

Musafer, K. N., & Farahmand, F. (2026). The Role of Artificial Intelligence in Film Production. Integrated Journal for Research in Arts and Humanities, 6(4), 388–395. https://doi.org/10.55544/ijrah.6.4.49

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Section

Articles